A nice white lady wanted to make an 'African quilt'. Her son said it was racist and culturally appropriative. She posts to an FB Quilting Group asking for opinions on the matter.
The opinions are pretty much what you'd expect.
I posed the questions of "is it just African fabric, or are you trying to represent Africa?" Along with, "African culture is very broad and varied, is there an aspect or area or region or tribe you're going to be highlighting - or will it be 'Africa, an exotic and foreign land, full of sweet, primitive peoples'?"
I did say that she was free to do as she pleased, but if she wanted to truly think about the possible racism in a quilt about Africa then here were some things for her to consider.
I haven't received a reponse from the OP yet. I don't expect I will.
Considering she posted on a Nice White Lady quilting group on FB, instead of, say, asking a black quilter? I'd say she just wanted reassurances. Which she got in spades.
There were at least 10 responses before mine - all reassuring - and at this point 15 responses after. At least one person told me I was overthinking it. Which, maybe. But only in the context of all these Nice White Ladies underthinking it because to confront their own complicity in the idea of Deepest Darkest Africa, Land Of The Tribes and Clans, And Generic Bright Colours And Geometric Patterns and not in a country of a thousand different cultures and backgrounds and histories and complexities which get overlooked so a bunch of Nice White Ladies can go "oh, but isn't Africa pretty" is entirely too uncomfortable.
Still, my purpose wasn't either to be the fly in her ointment or to make her think, but to open up the conversation beyond what they were expecting. I can only hope that there might be people on that group (several thousand strong Nice White Ladies of Australia) who will think about this a little deeper than just "if there's no intent to be nasty, then surely nobody can have any objection to it".
Now I have to find a way to post about this in my quilting blog, such that a few people might actually think about these things.
The opinions are pretty much what you'd expect.
I posed the questions of "is it just African fabric, or are you trying to represent Africa?" Along with, "African culture is very broad and varied, is there an aspect or area or region or tribe you're going to be highlighting - or will it be 'Africa, an exotic and foreign land, full of sweet, primitive peoples'?"
I did say that she was free to do as she pleased, but if she wanted to truly think about the possible racism in a quilt about Africa then here were some things for her to consider.
I haven't received a reponse from the OP yet. I don't expect I will.
Considering she posted on a Nice White Lady quilting group on FB, instead of, say, asking a black quilter? I'd say she just wanted reassurances. Which she got in spades.
There were at least 10 responses before mine - all reassuring - and at this point 15 responses after. At least one person told me I was overthinking it. Which, maybe. But only in the context of all these Nice White Ladies underthinking it because to confront their own complicity in the idea of Deepest Darkest Africa, Land Of The Tribes and Clans, And Generic Bright Colours And Geometric Patterns and not in a country of a thousand different cultures and backgrounds and histories and complexities which get overlooked so a bunch of Nice White Ladies can go "oh, but isn't Africa pretty" is entirely too uncomfortable.
Still, my purpose wasn't either to be the fly in her ointment or to make her think, but to open up the conversation beyond what they were expecting. I can only hope that there might be people on that group (several thousand strong Nice White Ladies of Australia) who will think about this a little deeper than just "if there's no intent to be nasty, then surely nobody can have any objection to it".
Now I have to find a way to post about this in my quilting blog, such that a few people might actually think about these things.
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I feel like people over 16 who think that now must live under a rock.
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Sometimes I wonder who I'd be if I hadn't turned up on LJ and been schooled by friends in a time when people were more willing to cut an oblivious idiot slack. And the truth is that I might have been like these Nice White Ladies who simply Don't Get It.
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I was actually thinking to myself yesterday that I should learn more about Africa, starting with "all those little coloured spaces with borders." I know European maps, Asian maps, etc pretty well, overall (I live in the US) but I would currently fail an African map test pretty miserably. Need to do better.
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I wouldn't be able to name most of the countries now, but in junior high the history teacher hung a big full-colour map of Africa right by the front chalkboard where we saw it every day next to his notes. Near the end of the year he gave us a pop quiz with a blank map, and when almost none of us could fill it in, told us that education wasn't just about what we were told, but what we observed. He gave us another chance with the pop quiz a week later (with advance warning) and everyone did MUCH better ("Okay, Egypt is up on top because of the Nile, Madagascar is the island, South Africa is on the bottom....").
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This does not surprise me at all. As a Canadian, I can tell you that many, if not most, Americans think that North America is just the USA. Once, when my family was vacationing in Florida, we literally had a person ask us, “Canada? What state’s that in?”
I’ve never gone to school in the US. But from the outside looking in, it seems like elementary and secondary schools suck, and it doesn’t even matter whether they’re public or private. Americans learn jack shit about anything outside their own borders, and many don’t even learn that.
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(And I really appreciate your patience and the patience of others in taking me through these realisations a dozen years ago and more. xo)
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I'm still wincing over the congresscritters wearing kente cloth. That was super embarrassing :(
::sigh::
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That is where a lot of appropriate comes from -- Nice White People wanting to "celebrate" a culture, but their dollars aren't going *to* that culture, but staying in the Big White Capitalist Machine.
(Besides, if you buy a fabric made by, designed by, etc, the person in that culture - presumably they want you to buy it and use it!)
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(It's not even that hard to research. Wikipedia is a great starting point when you don't know anything, and from there - well, you can go down a rabbit hole from there. I've researched Indian and various Middle Eastern fiber arts before, there are endless rabbit holes to go down on cultural textiles, and I'm an amateur.) And there are places that you'd be able to source that fabric from, I'm sure, which would have that actual authenticity where the money would be going to that culture.
If I were, in fact, a quilter, which I am not. But I could see that being a truly amazing quilt, and that's, like, White Lady Quilting 101 if you're a fan and you know little-to-nothing about the textiles of cultures from Africa. To be clear, as an example of what I would do if I were going to go that route, not as "this is something someone should suggest and/or definitely do."
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I need to stop now, knitting is enough of a fiber art for me.
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Not unrelatedly, this BP official vid is so beautiful https://www.youtube.com/watch?v=JQbjS0_ZfJ0
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//FACEDESK
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/unpopular opinion
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There are problems, I think, with the fact that a Nice White Lady with a cooking show cooking ethnic delights is seen as exploratory and broad minded, while a person of color who wishes to do the same sort of show on classical French cuisine is asked why they are not presenting “their own” cuisine. That’s a problem
OTOH,I got piled on once on the interwebz for stating that a certain traditional Japanese dish did not appeal. This was, apparently very judgy and White of me. I meant it in the same sense that cauliflower, pickled pigs feet, and haggis, all things my genetic and cultural heritage would call my own, do not appeal to me, but my interlocutor did not see it that way. This also is a problem.
I think it’s just very hard, if one is born outside the dominant culture, to be patient with the way your own culture can be appropriated and adopted by the dominant culture, when you face the dual expectation that you will assimilate into the dominant culture, while being expected at the same time to stay in your own lane and not excel or stand out too much in your achievements in that dominant culture, and then watch Nice White People explain your culture as different enough to visit, but never special enough to be invited into the circle.
I try to remember how hard that is, and recognize that I’d probably feel a little tetchy if I had spent so much of my life swimming upstream, when folks like me are handed an outboard motor and a lifetime supply of gas. I guess I figure it’s up to me to research that fine line, not burden my non-White friends to teach me, although I’m very grateful to those who have, and that I’ll get it wrong from time to time, and need to apologize.
I think the problem is less in the exploring than in the carting it home and declaring it yours like the Elgin marbles when you find it.
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