I'm going to spread this out a bit - probably into February, since I'm also doing the Snowflake Challenge in Jan.
Talkmeme Masterpost
alexseanchai asked for a topic about quilting — favorite patterns, favorite techniques, whatever.
My favourite patterns and designs are really anything that fools the eye, and makes you look twice, with a lean towards bright fabrics and designs.
Some examples from my own quilting are the Salt Air Split Square which was made 2015 for the combined 30th-31st-1st of a couple and their son:

Mondrian Dreaming was made for the 2014 Sydney Quilt Show, and is basically the old ‘disappearing nine-patch' quilt pattern, only with more solids.

I like when you can make the same block over and over and then do a small change, to make a startling result. Interwoven (2015), while looking pretty complicated, is actually the same sixteen-piece block repeated and rotated through 90degrees. I colour-shifted it to get the rainbow effect.

Did I mention bright colours?
I designed Swarm myself, and it's presently on its way to the US and the Quiltcon quilt show 2016 in Pasadena:

This quilt design is someone else's, but it's got lovely pattern and movement, and is actually quite simple: The 3:10 to Mendocino top was finished over the October long weekend:

And finally, there's the prospect of just making something different, that nobody's seen before or expected to see. Like Eternity:

The whole process of creating the Eternity Quilt is documented at my quilting blog here.
I give my quilts meaningful names, because it helps me remember them (although sometimes I still don't remember them because it's not one that I have an investment in), and because it gives them an identity.
In 2016?
I want to make a full-size quilt from the pattern in Interwoven. Pieces started, but there are a lot of them...
I want to complete the Technicolour Galaxy, for which my colour-in design is here. Working title Use Duct Tape Or The Force (a light side, and a dark side, and it holds the galaxy together).

And finally finish the Plain Jane Passacaglia:

It's doable. Maybe.
Talkmeme Masterpost
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My favourite patterns and designs are really anything that fools the eye, and makes you look twice, with a lean towards bright fabrics and designs.
Some examples from my own quilting are the Salt Air Split Square which was made 2015 for the combined 30th-31st-1st of a couple and their son:

Mondrian Dreaming was made for the 2014 Sydney Quilt Show, and is basically the old ‘disappearing nine-patch' quilt pattern, only with more solids.

I like when you can make the same block over and over and then do a small change, to make a startling result. Interwoven (2015), while looking pretty complicated, is actually the same sixteen-piece block repeated and rotated through 90degrees. I colour-shifted it to get the rainbow effect.

Did I mention bright colours?
I designed Swarm myself, and it's presently on its way to the US and the Quiltcon quilt show 2016 in Pasadena:

This quilt design is someone else's, but it's got lovely pattern and movement, and is actually quite simple: The 3:10 to Mendocino top was finished over the October long weekend:

And finally, there's the prospect of just making something different, that nobody's seen before or expected to see. Like Eternity:

The whole process of creating the Eternity Quilt is documented at my quilting blog here.
I give my quilts meaningful names, because it helps me remember them (although sometimes I still don't remember them because it's not one that I have an investment in), and because it gives them an identity.
In 2016?
I want to make a full-size quilt from the pattern in Interwoven. Pieces started, but there are a lot of them...

I want to complete the Technicolour Galaxy, for which my colour-in design is here. Working title Use Duct Tape Or The Force (a light side, and a dark side, and it holds the galaxy together).

And finally finish the Plain Jane Passacaglia:

It's doable. Maybe.
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I don't always do the quilting. Salt Air Split Square and Swarm were both quilted by my quilter, who has a machine hooked up to a computer that does pantographs (patterns) - it's relatively cheap in time-and-money terms, it's good quilting, and I like her work.
Eternity, Mondrian Dreaming, and Interwoven were quilted by me - for Eternity and Mondrian Dreaming, the Guild that runs the show requires that the quilt be pieced and quilted by a member - I'm a member, but my quilter isn't. And Eternity was an art quilt which required my attention.
Interwoven was straight-line stitching on a domestic machine, not a longarm.
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And I love playing with colour and design and how it all intersects!
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Hey, don't downplay your own art! The fact that you like making them makes it all worth it. and they are beautiful. Art quilts are one thing, but I firmly believe that traditionally pieced quilts are art too.
I really loved the quilting on Eternity especially.
How big is Interwoven?
I think we have some tastes in common -- especially when it comes to colors and half square triangles. I love the elegance of HST and how versatile they are! I got myself a bunch of Japanese fabrics last year and I am thinking I'm going to make a quilt with HST squares. Will either make it like square inside a square or just sashing around each block. First I have to finish up some commissions and a present. And my guild contribution. Am doing a group project for our show this year.
Thanks for sharing!
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The next Interwoven I'll be making will be with HSTs 4.5" square. Just a wee smidge larger...
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HOLY CRAP. That is intense. I am doubly impressed. Damn.
So the bigger one will be to scale? :D
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